![]() ![]() But, just when the industry seemed to have moved away from the models of the past, favouring a subtler musical language over grandiose, romantic scores, John Williams arrived and revolutionised a genre. ![]() In the 1960s, Hollywood had started to follow a new model for film scores, moving away from orchestral music and experimenting with compilation scores, as well as musical themes that combined elements of different kinds of music - from pop to rock’n’roll to rap and disco - that were deemed to be more appropriate for a specific film genre. When John Williams composed the score for Star Wars ‘ Episode IV: A New Hope, back in 1977, history was made. ![]() From John Williams’ history-making musical themes to Ludwig Göransson’s Emmy-winning score for The Mandalorian, let’s take a look at the music of Star Wars, ranked from worst to best. ![]()
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